John Armleder - Ayacotl excerpts No. 3 - Nieves 2014
Armleder frequently examines the context in which art is displayed and views the exhibition as a medium in its own right. Since the 1990s, he has created installations, paintings, wall paintings, sculptures and what he calls Furniture Sculptures – installations which usually juxtapose furniture with monochrome or abstract paintings, either literally on the furniture or on a canvas hanging nearby. His work has varied greatly in form, and has, since the beginnings, used chance as a method of producing the final forms that pieces take. He often uses a dense scenographic hanging style, putting individual works into close proximity and creating installation-like exhibitions.
First edition 2014, numbered 53/100
44p - EN - 14x20cm - b&w photocopy - perfect condition
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John Armleder - Ayacotl excerpts No. 3 - Nieves 2014
Armleder frequently examines the context in which art is displayed and views the exhibition as a medium in its own right. Since the 1990s, he has created installations, paintings, wall paintings, sculptures and what he calls Furniture Sculptures – installations which usually juxtapose furniture with monochrome or abstract paintings, either literally on the furniture or on a canvas hanging nearby. His work has varied greatly in form, and has, since the beginnings, used chance as a method of producing the final forms that pieces take. He often uses a dense scenographic hanging style, putting individual works into close proximity and creating installation-like exhibitions.
First edition 2014, numbered 53/100
44p - EN - 14x20cm - b&w photocopy - perfect condition
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Armleder frequently examines the context in which art is displayed and views the exhibition as a medium in its own right. Since the 1990s, he has created installations, paintings, wall paintings, sculptures and what he calls Furniture Sculptures – installations which usually juxtapose furniture with monochrome or abstract paintings, either literally on the furniture or on a canvas hanging nearby. His work has varied greatly in form, and has, since the beginnings, used chance as a method of producing the final forms that pieces take. He often uses a dense scenographic hanging style, putting individual works into close proximity and creating installation-like exhibitions.
First edition 2014, numbered 53/100
44p - EN - 14x20cm - b&w photocopy - perfect condition
